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Does journalism have a future?

#1 User is offline   Seams 

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Posted 25 July 2008 - 07:53 AM

David Simon (ex-Baltimore Sun reporter, co-creator of HBO miniseries The Corner and Generation Kill and the co-creator of HBO series The Wire) in the Washington Post on the current state of newspapers:

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What the hell happened? I mean, I understand the economic pressures on newspapers. At this point, along with the rest of the wood-pulp Luddites, I've grasped that what was on the Internet wasn't merely advertising for journalism, but the journalism itself. And though I fled the profession a decade ago for the fleshpots of television, I've heard tell of the horrors of department-store consolidation and the decline in advertising, of Craigslist and Google and Yahoo. I understand the vagaries of Wall Street, the fealty to the media-chain stockholders, the primacy of the price-per-share.

What I don't understand is this:

Isn't the news itself still valuable to anyone? In any format, through any medium -- isn't an understanding of the events of the day still a salable commodity? Or were we kidding ourselves? Was a newspaper a viable entity only so long as it had classifieds, comics and the latest sports scores? It's hard to say that, even harder to think it. By that premise, what all of us pretended to regard as a viable commodity -- indeed, as the source of all that was purposeful and heroic -- was, in fact, an intellectual vanity.

Newsprint itself is an anachronism. But was there a moment before the deluge of the Internet when news organizations might have better protected themselves and their product? When they might have -- as one, industry-wide -- declared that their online advertising would be profitable, that their Web sites would, in fact, charge for providing a rare and worthy service?

And which, exactly, is the proper epitaph for the generation that entered newspapering at the very moment when the big-city dailies -- the fat morning papers, those that survived the shakeout of afternoon tabloids and other weak sisters -- seemed impervious, essential and ascendant? Were we the last craftsmen prepared for a horse-and-buggy world soon to prostrate itself before the god of internal combustion? Or were we assembly-line victims of the inert monopolists of early 1970s Detroit, who thought that Pacers and Gremlins and Chevy Vegas were response enough to Japanese and European automaking superiority?

...

At the moment when the Internet was about to arrive, most big-city newspapers -- having survived the arrival of television and confident in their advertising base -- were neither hungry, nor worried, nor ambitious. They were merely assets to their newspaper chains. Profits were taken, and coverage did not expand in scope and complexity.

In my newsroom, I lived through the trend of zoning (give the people what's happening in their neighborhood), the trend of brevity (never mind the details, people don't read past the jump) and ultimately, the trend of organized, clinical prize-groveling (we don't know what people want, but if we can win something, that's validation enough), not to mention several graphic redesigns of the newspaper.


So in a city where half the adult black males are unemployed, where the unions have been busted, and crime and poverty have overwhelmed one neighborhood after the next, the daily newspaper no longer maintains a poverty beat or a labor beat. The city courthouse went uncovered for almost a year at one point. The last time a reporter was assigned to monitor a burgeoning prison system, I was a kid working the night desk.


In place of comprehensive, complex and idiosyncratic coverage, readers of even the most serious newspapers were offered celebrity and scandal, humor and light provocation -- the very currency of the Internet itself.



Dan Gillmor in the Center for Citizen Media Blog:

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Anyway, here’s the question:

What famous journalism organization has done the best reporting (remember, that’s the gathering process) about the United States government’s Guantanamo Bay prison? That’s the place where the United States holds the people the government has declared to be terrorists, a prison where prisoners have been in many cases tortured and, until recently, held without access to the legal system.

The people who’ve done the best reporting on this scandal have not, for the most part, been working for major media outfits. They’ve been working for that famous journalism organization called the American Civil Liberties Union.

...

What the ACLU and Human Rights Watch did was what I’m calling almost-journalism. Their reporting was superb, but what they produced fell just a shade this side of journalism. They didn’t fully apply journalistic principles to their media, and that’s a shame.

As the traditional journalism business implodes financially, the almost-journalists are going to play an increasingly important role in the ecosystem. As traditional journalism companies are firing reporters and editors right and left, the almost-journalist organizations have both the deep pockets and staffing to fill in some of the gap — if they’ll find a way to apply those old and new journalistic practices to their media, whether it’s designed to inform or advocate.



Mark Glaser on PBS' MediaShift:

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As the layoffs and buyouts pile up in U.S. the newspaper industry, and Romenesko becomes a daily wake, there is one other troubling problem: Young journalists are less willing to stay at newspapers because the papers are so slow to change their culture.

Newspapers have a history as top-down organizations where senior management huddles in conference rooms to decide what everyone else will do. Innovative ideas usually die on the vine or in bureaucratic red tape. And that’s frustrating for young folks who want to be change agents at newspapers and make a difference.


The (one) newspaper in my city is pretty much worthless. It is mostly classifieds, real estate, sport news with a smattering of opinion columns, real local reporting and a few page of world news. Trivial celebrity news and "lifestyle" segments make up the rest. This is a trend in all of Murdoch's Australian newspapers, and the rival Fairfax newspapers in Sydney and Melbourne.

Are blogs and advocacy organisations the only future of journalism, and will they have the same capacity for change as newspapers have had in the past? As shitty as The Advertiser is, Adelaide is still a one-newspaper town, and so the newspaper remains the only one-stop shop for state political news. Newspapers also have a more egalitarian distribution model than blogs, most people can pick up a newspaper from just about anywhere, but a blog requires both a computer and internet connection. Newspapers are simply more accessable for the majority of people.

This post has been edited by Seams: 25 July 2008 - 07:54 AM

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#2 User is offline   Xerxes 

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Posted 25 July 2008 - 08:08 AM

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And which, exactly, is the proper epitaph for the generation that entered newspapering


The LA Times recently canceled it's Book Review column, and one of the former book review editors sent a protest letter that used the phrase "Post-literate age," which I think eloquently sums it up.

Journalism is being done, but unfortunately its put into sound and pictures, or it's quasi journalism done by un-credentialed people on internet. Theoretically that could be a more enriching experience, but rare is the modern TV program that can approach a topic with the regular depth of a large newspaper article, or the citizen reporter without a burning agenda.

In my opinion, the best papers running (and the only ones I bother to pick up) and not because of the business articles, are the Wall Street Journal, the UK's financial times, and the Economist news-magazine. The WSJ has had for a long time a fantastic reporting team separate from the conservative opinion pages, and unlike the rest of the papers continually bemoaning their shrinking reader base, the WSJ and the Economist are still very profitable enterprises.
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#3 User is offline   Seams 

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Posted 25 July 2008 - 08:20 AM

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but rare is the modern TV program that can approach a topic with the regular depth of a large newspaper article, or the citizen reporter without a burning agenda.


Or, when a TV show does approach a topic with depth and complexity and deals with it in the same manner it is ignored for the most part by both the viewers and the television and film industry. It's not as if you can't do it, it's just that it takes effort, care and love. The Wire pulls only a fraction of the audience of The Sopranos, because people probably don't give a shit about inner-city ghettos, addicts, dealers and cops. They want to see it all wrapped-up in an hour by superheroes on CSI or Law and Order.

It's the same thing with newspapers. Who wants to read or write complex stories about political corruption or societal breakdown when a story about Brad and Angelina's twins is both easier to read and understand and cheaper to write?
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#4 User is offline   Xerxes 

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Posted 25 July 2008 - 08:33 AM

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Because people probably don't give a shit about inner-city ghettos, addicts, dealers and cops


I don't know about that - with sales of rap music and the popularity of CSI or Law and Order as they are, and the large amount of population in those environments. A lot of people just don't have HBO. I don't think the Sopranos was a rating extravaganza either.

Nevertheless, I agree with the general gist of your point.
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#5 User is offline   feroxis 

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Posted 25 July 2008 - 02:33 PM

I think news is still a viable commodity. The problem newspapers have is that so many people are already getting it for free or as a value-added service with their cable or satellite TV/internet package.

I can't think of a single reason to subscribe to my local newspaper. It's not a bad product, as far as I know, but I can get the local events and classifieds from their web site for free. I don't read much local news - Memphis politics are so race-centric and generally screwy that I really just don't care to read about it. If I did want to read about local news and politics I could (again) get it for free from their website. I'd much rather read selected blogs for my opinion.

The decline of the newspaper has been discussed to death on the blogosphere, often with no small amount of glee. I don't feel any real sense of schadenfreude - except maybe for the New York Times. It seems to me that newspapers have largely engineered their own demise by alienating large swathes of audience and by focusing on the areas in which they cannot possibly compete such as national news and opinion. Where newspapers can truly excel is local reporting. That's not as glamorous as publishing sensitive national security information and then hiding behind a shield law, however. A blustering sense of holy self-righteousness is one of the less endearing traits possessed by some journalists, print journalists (and Olbermann) in particular.
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Posted 26 July 2008 - 05:18 AM

View PostXerxes, on Jul 25 2008, 06:03 PM, said:

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Because people probably don't give a shit about inner-city ghettos, addicts, dealers and cops


I don't know about that - with sales of rap music and the popularity of CSI or Law and Order as they are, and the large amount of population in those environments. A lot of people just don't have HBO. I don't think the Sopranos was a rating extravaganza either.

Nevertheless, I agree with the general gist of your point.



Both rap music and the CSI type network shows present a highly fictionalised version of reality. A lot of gangsta rap is just violent fantasy, it's not as if Biggie Smalls was having running gun battles with the cops in the street, and Ice Cube wasn't hunting down the cops who beat Rodney King in his spare time. CSI is the same. Forensic scientists aren't running around solving complex murder investigations in under an hour, armed to the teeth with weaponry and high-tech gadgetry straight out of a Bond film. These things are just smokescreens, a fantasy for the middling classes who don't think they're affected by things like the drug war and so fall easy prey to typical 'law and order' rhetoric from politicians. It's all fairy-tales, morality plays, escapist fantasy and so forth. Cops are good guys there to solve crimes, the bad guys only exist to further the plot etc. More truthful shows portray neither saints of villains, I mean how many shows portray heroin addicts or corner boys as sympathetic characters? Hardly any. People simply can't fathom that the underclass they've been trained to fear might actually be made up of individual people with human feelings just like them.,

As for ratings, The Sopranos' finale had 11.9 million viewers, and averaged around 9 million I think. I think The Wire averages about 1 million per episode which is a staggering difference. Still, I don't want to derail the discussion too much with TV ratings talk. :) Suffice to say that after I started watching The Wire I thought to myself, 'Well this is obviously the most popular show on HBO, it's too good not to be', and I was shocked when I discovered this wasn't the case.

This post has been edited by Seams: 26 July 2008 - 05:20 AM

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#7 User is offline   baafie_ 

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Posted 26 January 2009 - 01:38 PM

It appears to me that newspapers are doing less and less original research. And that has always been their source of strength. As mentioned by others here, you can get the headlines from any press-release pumping blog. But when was the last time you heard of a scandal reported? Chances are it came from a blog or Wikileaks, and not the popular press. I read the best known news outlets from these parts daily, and the majority of their business involves copying from another newspaper.

For one, I'm not surprised the papers' subscriber numbers are reducing, because the vast majority of their content you can get for free and the quality will be roughly the same. However, if original journalistic research comes back up, so will subscriber numbers.

This post has been edited by baafie_: 26 January 2009 - 01:42 PM

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